Teatro del Absurdo:
Esslin, Martin. Absurd Drama. NY: Pinguin, 1971.

Teatro de la Crueldad:
Artaud, Antonin. The Theater and Its Double. NY: Grove Press, 1958

Metateatro:
Abel, Lionel. Metatheatre; a new view of dramatic form. New York, Hill and Wang,1963.

Hornby, Richard. Drama, Metatheatre, and Perception. London and Toronto: Associated UP, 1986

El Teatro Épico:
Esslin, Martin. Brecht: A Choice of Evils. London: Methuen, 1984.

Performance theater:
Rizk, Beatriz J. "El arte del performance y la subversión de las reglas del juego en el discurso de la mujer." Latin American Theatre Review 33.2 (Spring 2000): 93-111.

Schechner, Richard. "What Is Performance Studies Anyway?" Phelan, Peggy and Jill Lane, eds. The Ends of Performance. NY and London: New York UP, 1998


Bibliografía adicional:

Albuquerque, João. Violent Acts: A Study of Contemporary Latin American Theatre, 1991.
Alzate Cuervo, Gastón Adolfo. Teatro de cabaret : imaginarios disidentes, 2002.
Austin, Gayle. Feminist Theories for Dramatic Criticism, 1990.
Bixler, Jacqueline. Sediciosas seducciones : sexo, poder y palabras en el teatro de Sabina Berman, 2004.
--- and Laurietz Seda, eds. Trans/Acting: Latin American and Latino Performing Arts (Bucknell Studies in Latin American Literature and Theory, 2009.
Carlson, Marvin A. Theories of the Theatre a Historical and Critical survey from the Greeks to the Present,1984.
Flores, Yolanda. The Drama of Gender, 2002.
Fusco, Coco. Corpus Delecti, 2000.
Kaminsky, Amy K. Reading the Body Politic: Feminist Criticism and Latin American Women Writers, 1993.
Larson, Catherine. Games and Play in the Theater of Spanish American Women, 2004.
--- and Margarita Vargas, eds. Latin American Women Dramatists: theater, texts, and theories. 1998.
Milleret, Margo. Latin American Women on/in Stages, 2004.
Rizk, Beatriz. Teatro y Diáspora, 2002.
Taylor, Diana. Theatre of Crisis: Drama and Politics in Latin America. 1990.
Taylor, Diana and Roselyn Costantino, eds. Holy Terrors: Latin American Women Perform, 2003. (appeared originally as issue 22 of Women and Performance: a Journal of Feminist Theory, 2000)