Latin American Women Dramatists:
Theater, Texts, and Theories
Catherine Larson and Margarita Vargas
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Contents
Acknowledgments |
ix
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Introduction |
xi
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Part I
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Theatrical Self-Conscious
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Reenacting Politics: The Theater of Griselda Gambaro |
3 |
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Maruxa Vilalta: Una voz en el desierto |
23
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Playing a Waiting Game: The Theater of Mariela Romero |
41
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Part II
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A. The Personal as Political
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Power Plays, Plays of Power: The Theater of Pilar Campesino |
55
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The Tortured Magic of Hebe Serebrisky |
74
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Acting Radical: The Dramaturgy of Consuelo de Castro |
89
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B. National Politics
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The Theater of Diana Raznovich and Percepticide in El desconcierto |
113
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A Moveable Space: The Problem Of Puerto Rico In Myrna Casa's Theater |
126
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Part III
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History
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Sabina Berman's Undone Threads |
145
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Social Critique And Theatrical Power in the Plays of Isidora Aguirre |
159 |
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Part IV
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Feminist Positions
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Carmen Boullosa's Obligingly Heretic Art: New Challenges For Criticism |
181
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Leilah Assunção: Marginal Women and the Female Experience |
202
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For Women Only? The Theater Of Susana Torres Molina |
215
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Masculine Space in the Plays of Estela Leñero |
234
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Elusive Dreams, Shattered Illusions: The Theater Of Elena Garro |
243
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Selected Bibliography |
263
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Contributors |
269
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Index |
273
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