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This year’s premier Science and Technology Studies forum, 4S,
(http://www.4sconference.org/) included several sessions dedicated to Media Arts
(Communications and Social Works, Portable Technologies, Media and Place, Networked Gaming,
Historicizing Design). Furthermore, the conference had a strong showing of practicing
artists as presenters and attendees.
This seminar is an attempt to query this newfound appreciation of media arts amongst humanities scholars
and STS researchers. In particular we will try to determine what the Arts and their particularly free-form
methods of ‘research’ can contribute to Science Studies. Also, we will attempt to understand how scholarly
methods in Science Studies might be fruitful for (media) art practitioners.
We will have two outside respondents in email contact with us during the course. They are:
>>Alan Sondheim
Alan Sondheim is widely recognized as a writer, philosopher and artist. He is currently associate editor of the
online magazine Beehive, and one of the editors of Nettime's Unstable Digest. Alan Sondheim's books include the
anthology Being on Line: Net Subjectivity (Lusitania, 1996), Disorders of the Real (Station Hill, 1988),
and .echo (alt-X digital arts, 2001) as well as numerous other chapbooks, ebooks, and articles.
In 2001, Sondheim assembled a special topic for the America Book Review on Codework.
>>Ewa Plonowska Ziarek
Ewa Ziarek is Park Professor of Comparative Literature at the State University of New York at Buffalo.
She teaches feminist theory, modernism, continental philosophy, ethics, and critical theory.
She is the author of The Rhetoric of Failure: Deconstruction of Skepticism, Reinvention of Modernism. (SUNY, 1995),
An Ethics of Dissensus: Feminism, Postmodernity, and the Politics of Radical Democracy. (Stanford 2001);
and a co-editor of Revolt, Affect, Collectivity: The Unstable Boundaries of Kristeva's Polis (forthcoming)
and Intermedialities: Philosophy, Art, Politics (forthcoming).
Students are required to pick one of the topics listed below for class presentation (or to propose an alternative, such as the new monograph on Stelarc or Kac's Biolife). Students are also required to critically
reflect on their own research methods in a six page semester paper.
Open to all graduate students !
W1: Introduction
Course overview, objectives, methods, responsibilities
W2: Fundamental ideas
Thomas Kuhn
W3: Fundamental ideas
Paul Feyerabend
W4: Fundamental ideas
Bruno Latour
W5: New Approaches
Andrew Pickering: Cybernetics and Madness: From Electroshock to the Psychedelic 60s
W6: New Approaches
Fred Turner: The Well and the Origins of Virtual Community
W7: New Approaches
Michael Shanks: Archeology and Performance
W8: New Approaches
Rachel Mayeri: Soft Science
W9: New Topics
Park Doing: Noisy Signals, Clean Identities: Engineering in the Real World
W10: New Topics
Paul Dourish: Software Source Code as Social and Technical Artifact
W11: New Topics
Mizuko Ito: Japanese Technoculture, Mobile Phones and Kids Software
W12: New Topics
Natasha Schull: Digital Gambling: Coincidence of Desire and Design
W13: New Topics
Anesh Anesh: On-Line Labor Flows from India to the United States
W14: New Topics
Tad Hirsch: The Cellphone and the Swarm
W15: Wrap up
4S 2006 in Vancouver
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