Buffalo Film Seminars I-IV, Spring 2000-Fall 2001
series
title
director
William Wellman, The Public Enemy, 1931 (spring 2000)
Lloyd Bacon, 42nd Street, 1933 (spring 2000)
Frank Capra, It Happened One Night, 1934 (spring 2000)
Leni Riefenstahl, Triumph of the Will, 1934 (spring 2000)
Sam Wood, A Night at the Opera, 1935 (spring 2000)
John Ford, The Grapes of Wrath, 1940 (spring 2000)
Billy Wilder, Double Indemnity, 1944 (spring 2000)
Jean Cocteau, Beauty and the Beast, 1946 (spring 2000)
Fred Zinnemann, High Noon, 1952 (spring 2000)
Elia Kazan, On the Waterfront, 1954 (spring 2000)
Orson Welles, Touch of Evil, 1958 (spring 2000)
Arthur Penn, Bonnie and Clyde, 1967 (spring 2000)
Martin Scorsese, Raging Bull, 1980 (spring 2000)Jean Renoir, The Grand Illusion, 1937 (fall 2000)
Ernst Lubitsch, Ninotchka, 1939 (fall 2000)
Otto Preminger, Laura, 1944 (fall 2000)
Alfred Hitchcock, Notorious, 1946 (fall 2000)
Joseph Mankiewicz, All About Eve, 1950 (fall 2000)
Stanley Kubrick, Paths of Glory, 1957 (fall 2000)
Federico Fellini, La Dolce Vita, 1960 (fall 2000)
Mike Nichols, Who’s Afraid of Virginia Woolf?, 1966 (fall 2000)
John Schlesinger, Midnight Cowboy, 1969 (fall 2000)
Bob Fosse, All that Jazz, 1979 (fall 2000)
Connie Field, The Life and Times of Rosie the Riveter, 1980 (fall 2000)
Peter Greenaway, The Cook, the Thief, His Wife & Her Lover, 1989 (fall 2000)
Nikita Mikhalkov, Burnt by the Sun, 1994 (fall 2000)King Vidor, The Big Parade,1925 (spring 2001)
Mervyn LeRoy, Gold Diggers of 1933, 1933 (spring 2001)
James Whale, Bride of Frankenstein, 1935 (spring 2001)
Luis Buñuel, The Exterminating Angel, 1962 (spring 2001)
Sergei Eisenstein, Ivan the Terrible parts I & II, 1943 & 1946 (spring 2001)
Vittorio De Sica, Bicycle Thieves, 1947 (spring 2001)
Marcel Carné, Children of Paradise, 1945 (spring 2001)
Robert Aldrich Kiss Me Deadly, 1955 (spring 2001)
Sergio Leone, Once Upon a Time in the West, 1968 (spring 2001)
Peter Bogdanovitch, The Last Picture Show, 1971 (spring 2001)
William Friedkin, The French Connection, 1971 (spring 2001)
John Huston, The Man Who Would be King, 1975 (spring 2001)
Charles Burnett, Killer of Sheep, 1977 (spring 2001)
Akira Kurosawa, Ursu Duzala, 1974 (spring 2001)Buster Keaton & Clyde Bruckman, The General 1927 (fall 2001)
Georg Pabst, Pandora's Box 1929 (fall 2001)
Mervyn LeRoy, Little Caesar 1930 (fall 2001)
Ernst Lubitsch Trouble in Paradise 1932 (fall 2001)
Preston Sturges, Sullivan’s Travels 1942 (fall 2001)
Billy Wilder, Sunset Boulevard 1950 (fall 2001)
Henri-Georges Clouzot, Le Salaire de la peur/Wages of Fear 1953 (fall 2001)
Charles Laughton, The Night of the Hunter 1955 (fall 2001)
Alexander Mackendrick, Sweet Smell of Success 1957 (fall 2001)
Luchino Visconti, Il Gattopardo/The Leopard 1963 (fall 2001)
Bernardo Bertolucci, Il Conformista/The Conformist, 1970 (fall 2001)
Nicolas Roeg, Don’t Look Now, 1973 (fall 2001)
Terrence Malick, Days of Heaven 1978 (fall 2001)
Terry Gilliam The Adventures of Baron Munchausen 1988 (fall 2001)Terry Gilliam The Adventures of Baron Munchausen 1988 (fall 2001)
Joseph Mankiewicz, All About Eve, 1950 (fall 2000)
Bob Fosse, All that Jazz, 1979 (fall 2000)
Jean Cocteau, Beauty and the Beast, 1946 (spring 2000)
Vittorio De Sica, Bicycle Thieves, 1947 (spring 2001)
King Vidor, The Big Parade,1925 (spring 2001)
Arthur Penn, Bonnie and Clyde, 1967 (spring 2000)
James Whale, Bride of Frankenstein, 1935 (spring 2001)
Nikita Mikhalkov, Burnt by the Sun, 1994 (fall 2000)
Marcel Carné, Children of Paradise, 1945 (spring 2001)
Bernardo Bertolucci, Il Conformista/The Conformist, 1970 (fall 2001)
Peter Greenaway, The Cook, the Thief, His Wife & Her Lover, 1989 (fall 2000)
Terrence Malick, Days of Heaven 1978 (fall 2001)
Nicolas Roeg, Don’t Look Now, 1973 (fall 2001)
Billy Wilder, Double Indemnity, 1944 (spring 2000)
Luis Buñuel, The Exterminating Angel, 1962 (spring 2001)
Lloyd Bacon, 42nd Street, 1933 (spring 2000)
William Friedkin, The French Connection, 1971 (spring 2001)
Luchino Visconti, Il Gattopardo/The Leopard 1963 (fall 2001)
Buster Keaton & Clyde Bruckman, The General 1927 (fall 2001)
Mervyn LeRoy, Gold Diggers of 1933, 1933 (spring 2001)
Jean Renoir, The Grand Illusion, 1937 (fall 2000)
John Ford, The Grapes of Wrath, 1940 (spring 2000)
Fred Zinnemann, High Noon, 1952 (spring 2000)
Frank Capra, It Happened One Night, 1934 (spring 2000)
Sergei Eisenstein, Ivan the Terrible parts I & II, 1943 & 1946 (spring 2001)
Charles Burnett, Killer of Sheep, 1977 (spring 2001)
Robert Aldrich Kiss Me Deadly, 1955 (spring 2001)
Federico Fellini, La Dolce Vita, 1960 (fall 2000)
Peter Bogdanovitch, The Last Picture Show, 1971 (spring 2001)
Otto Preminger, Laura, 1944 (fall 2000)
Connie Field, The Life and Times of Rosie the Riveter, 1980 (fall 2000)
Mervyn LeRoy, Little Caesar 1930 (fall 2001)
John Huston, The Man Who Would be King, 1975 (spring 2001)
John Schlesinger, Midnight Cowboy, 1969 (fall 2000)
Sam Wood, A Night at the Opera, 1935 (spring 2000)
Charles Laughton, The Night of the Hunter 1955 (fall 2001)
Ernst Lubitsch, Ninotchka, 1939 (fall 2000)
Alfred Hitchcock, Notorious, 1946 (fall 2000)
Elia Kazan, On the Waterfront, 1954 (spring 2000)
Sergio Leone, Once Upon a Time in the West, 1968 (spring 2001)
Georg Pabst, Pandora's Box 1929 (fall 2001)
Stanley Kubrick, Paths of Glory, 1957 (fall 2000)
William Wellman, The Public Enemy, 1931 (spring 2000)
Martin Scorsese, Raging Bull, 1980 (spring 2000)
Henri-Georges Clouzot, Le Salaire de la peur/Wages of Fear 1953 (fall 2001)
Preston Sturges, Sullivan’s Travels 1942 (fall 2001)
Billy Wilder, Sunset Boulevard 1950 (fall 2001)
Alexander Mackendrick, Sweet Smell of Success 1957 (fall 2001)
Orson Welles, Touch of Evil, 1958 (spring 2000)
Leni Riefenstahl, Triumph of the Will, 1934 (spring 2000)
Ernst Lubitsch Trouble in Paradise 1932 (fall 2001)
Akira Kurosawa, Ursu Duzala, 1974 (spring 2001)
Mike Nichols, Who’s Afraid of Virginia Woolf?, 1966 (fall 2000)Robert Aldrich Kiss Me Deadly, 1955 (spring 2001)
Lloyd Bacon, 42nd Street, 1933 (spring 2000)
Bernardo Bertolucci, Il Conformista/The Conformist, 1970 (fall 2001)
Peter Bogdanovitch, The Last Picture Show, 1971 (spring 2001)
Luis Buñuel, The Exterminating Angel, 1962 (spring 2001)
Charles Burnett, Killer of Sheep, 1977 (spring 2001)
Frank Capra, It Happened One Night, 1934 (spring 2000)
Marcel Carné, Children of Paradise, 1945 (spring 2001)
Henri-Georges Clouzot, Le Salaire de la peur/Wages of Fear 1953 (fall 2001)
Jean Cocteau, Beauty and the Beast, 1946 (spring 2000)
Vittorio De Sica, Bicycle Thieves, 1947 (spring 2001)
Sergei Eisenstein, Ivan the Terrible parts I & II, 1943 & 1946 (spring 2001)
Federico Fellini, La Dolce Vita, 1960 (fall 2000)
Connie Field, The Life and Times of Rosie the Riveter, 1980 (fall 2000)
John Ford, The Grapes of Wrath, 1940 (spring 2000)
Bob Fosse, All that Jazz, 1979 (fall 2000)
William Friedkin, The French Connection, 1971 (spring 2001)
Terry Gilliam The Adventures of Baron Munchausen 1988 (fall 2001)
Peter Greenaway, The Cook, the Thief, His Wife & Her Lover, 1989 (fall 2000)
Alfred Hitchcock, Notorious, 1946 (fall 2000)
John Huston, The Man Who Would be King, 1975 (spring 2001)
Elia Kazan, On the Waterfront, 1954 (spring 2000)
Buster Keaton & Clyde Bruckman, The General 1927 (fall 2001)
Stanley Kubrick, Paths of Glory, 1957 (fall 2000)
Akira Kurosawa, Ursu Duzala, 1974 (spring 2001)
Charles Laughton, The Night of the Hunter 1955 (fall 2001)
Sergio Leone, Once Upon a Time in the West, 1968 (spring 2001)
Mervyn LeRoy, Little Caesar 1930 (fall 2001)
Mervyn LeRoy, Gold Diggers of 1933, 1933 (spring 2001)
Ernst Lubitsch, Ninotchka, 1939 (fall 2000)
Ernst Lubitsch Trouble in Paradise 1932 (fall 2001)
Alexander Mackendrick, Sweet Smell of Success 1957 (fall 2001)
Terrence Malick, Days of Heaven 1978 (fall 2001)
Joseph Mankiewicz, All About Eve, 1950 (fall 2000)
Nikita Mikhalkov, Burnt by the Sun, 1994 (fall 2000)
Mike Nichols, Who’s Afraid of Virginia Woolf?, 1966 (fall 2000)
Georg Pabst, Pandora's Box 1929 (fall 2001)
Arthur Penn, Bonnie and Clyde, 1967 (spring2000)
Otto Preminger, Laura, 1944 (fall 2000)
Jean Renoir, The Grand Illusion, 1937 (fall 2000)
Leni Riefenstahl, Triumph of the Will, 1934 (spring 2000)
Nicolas Roeg, Don’t Look Now, 1973 (fall 2001)
John Schlesinger, Midnight Cowboy, 1969 (fall 2000)
Martin Scorsese, Raging Bull, 1980 (spring 2000)
Preston Sturges, Sullivan’s Travels 1942 (fall 2001)
King Vidor, The Big Parade,1925 (spring 2001)
Luchino Visconti, Il Gattopardo/The Leopard 1963 (fall 2001)
Orson Welles, Touch of Evil, 1958 (spring 2000)
William Wellman, The Public Enemy, 1931 (spring 2000)
James Whale, Bride of Frankenstein, 1935 (spring 2001)
Billy Wilder, Sunset Boulevard 1950 (fall 2001)
Billy Wilder, Double Indemnity, 1944 (spring 2000)
Sam Wood, A Night at the Opera, 1935 (spring 2000)
Fred Zinnemann, High Noon, 1952 (spring 2000)